Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
A single module for two synths! The FM Module for Legend ’70s gives you two layers of authentic FM synthesis and a selection of sounds from music history.
You can import DX-TX sounds from the available libraries. You will also have an FM synthesis editor to experiment with!
FM SYNTH MODULE
2 Layers of Stereo FM Synthesis totally independent
6 Operators
LFO and Pitch Envelope exactly as in the historical formulation of FM synthesis
Iconic Sounds of the Decades
Compatibility with DX-TX sounds from the libraries available
SEE MORE INFO
BASIC 73 KEYS. INC. E.PIANO & SOUNDCOLLECTION
Legend ’70s MKII
Modular Stage Piano
2nd chapter for a unique instruments. Now it is doubled in everything:
Double core DSP
Wooden premium construction
Reduced noises
New Eprom (more programs)
Tp110 on the Compact and Updated wooden piano keyboard on the Artist-W.
New aluminium knobs
Many future developments
40 years standing by your side
Welcome to the Bespeco world!
Established in 1981, we are an Italian Company designing, engineering, manufacturing and commercializing accessories for musical instruments.
Through constant cooperation with musicians, sound technicians and engineers we are able to build functional, sturdy and durable products, each with its own distinctive design. High quality accessories that will always come with you.
Wherever you find music, you always find an accessory: be it a cable, a guitar stand, a microphone stand, a case to protect your instrument and many more. ........
See more I (info )
We wish you a good watching!
Double internal memory (2GB)
2 Completely redesigned acoustic piano sample sets
Updated all existing piano models
Expanded tonal possibilities with the dual DSP of the Legend ’70s MKII
Backward compatibility with MKI Legend ’70s
The new acoustic piano module is here. Completely updated with twice memory and processing power to maximize the realistic feel when you play.
Available for Legend ’70s MKII, but also backward compatible with MKI.
System Type Vented stereo sub
Max SPL (@1m) 131.5 dB
Frequency Response (-10 dB) 41 Hz - Cut freq
LF 18” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 510 x 650 x 690 mm (20" x 25.6" x 27.2")
Weight 38 kg (83.8 lbs)
Features
600 W RMS CLASS-D AMPLIFIER
STEREO BALANCED INPUT
LINK OR X-OVER BALANCED STEREO OUTPUT MODE
COMPACT AND STURDY WOOD CABINET
LIGHTWEIGHT
POLARITY INVERSION SWITCH
FLAT OR BOOST EQ MODE SWITCH
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 46 – 123 Hz
Max SPL (1 m): 129 dB
Directivity: omnidirectional
LF: 12”
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: DSP 28/56 Bit
Limiter: Peak, Thermal, RMS
Controls:
1x Subwoofer attenuation Control
1x Flat/Boosted switch
1x Switch output mode
1x Polarity switch
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Black painted Plywood
Handles: 1 on top
Pole Mount: M20
Width: 360 mm (14.72 in)
Height: 550 mm (21.65 in)
Depth: 525 mm (20.67 in)
Weight: 19.8 Kg (43.65 lbs)
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.See more Info
A New Dimension of Sound and Space in a Majestic Console caracterized by unsurpassed elegance and refinement : this is the Ouverture 355.
Mastercrafted French Terraced Console,
AcuSphere dimensional reverb – recreates the acoustics of large cathedrals and concert halls with stunning realism,
Enhanced 10.2 Surround System – experience a fully immersive sound field through 14 speakers,
Comprehensive Internal Library Of Organ
Stops ,
DANTE Audio Over Ethernet (option).
The design of the Ouverture line was inspired by the beautiful terraced consoles built by Aristide Cavaille-Coll, the renowned French organ builder of the nineteenth century.
GUITAR POLISH
D’Andrea USA’s Guitar Polish works best after a deep clean with our Lemon Oil & Conditioner. Lightly spray an even coat of polish over your guitar body and gently polish with a polishing cloth until a deep gloss appears. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. Proudly Made in USA!
B108 is a versatile, portable full-range active speaker suitable for small venue applications. The bass-reflex cabinet is equipped with a 8 woofer and a 1compression driver boosted by a 400 W amp module. Its advanced DSP featuring FIR filters
Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Soprano Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
The Legend lower manual is the perfect addition to your Legend ONE keyboard, offering a second manual dedicated to the following features:
The most compact dual manual organ with two sets of drawbars.
If you have a small gig and a single manual is enough, from now on you can both travel light and expand your possibilities as needed!
It’s not just an organ; you have all the additional sounds too! You can put them on the upper or lower manual as you wish.
All you need is the 5-pin MIDI cable (included), which provides AC power and MIDI messages to enable communication between the two keyboards.
The removable half-moon switch on the Legend LM eases the rotary control.
If you’re feeling asymmetrical today, why not combine your Legend ONE 61 with a 73 base?
Transform your all-in-one keyboard into an all-in-one dual organ with high performance and compact dimensions and price.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
1-EFFEKT PEDALER
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