Transporttaske og vogn
Til Viscount Legend og Legend Soul 273 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 117,5 x 59 x 20 cm
Udvendige mål (B x H x D): 130,5 x 65 x 26 cm
Vægt: 10,7 kg
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Med kompressor, EQ, delay, ekko, rumklang og mere
Signalprocessor til lo-fi, forvrængning, radio, ringmodulering og andre ekstraordinære effekter
Pitch korrektion
Vokalharmoni og stemmefordobler
Farve LCD og 3 knapper muliggør intuitiv betjening
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
The Legend LM 73 lower manual is the perfect addition to your Legend ONE keyboard, offering a second manual dedicated to the following features:
The most compact dual manual organ with two sets of drawbars.
The removable half-moon switch on the Legend LM eases the rotary control.
If you’re feeling asymmetrical today, why not combine your Legend ONE 61 with a 73 base?
Transform your all-in-one keyboard into an all-in-one dual organ with high performance and compact dimensions and price.
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
Den nye Viscount Legend Solo Orgel fra KeyB giver dig den nemmeste transportabel Orgel løsning.
Én Waterfall Keyboard med høj trigger points for ultra hurtig respons.
Legend Live anvender det nyeste modeleringteknologi i tonehjul.
Nem at afspille
Ny designet ”leslie” og forstærker simulator.
To fulde sæt af Drawbars pr. keyboard.
Forbedret Percussion og key click. (Soft/normal volume).
Effekter: Vibrato/Chorus og Reverb
Hurtig live justering, nemme at betjene.
Ekstern 11 pins Leslie® udgang.
FX send/return
Der er en USB udgang til nodelampe, iPad opladning m.m.
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass. 5 strings
50 watts RMS
10" HH AUDIO Professional Woofer
Two Channels. FET and Drive, with mix options for gritty drive whilst maintaining clarity.
Preshape Switch, provides a mid-frequency cut for a scooped sound whilst pushing the tops and lows.
3-Band EQ
TILT function
Precision-crafted 15mm Plywood cabinet for optimal strength, reduced weight, and a resonant, natural tonal character.
Top mounted steel reinforced strap handle for comfortable and easy transportation
Hard wearing black vinyl, Steel Corners for enhanced protection
3.5mm AUX in
3.5mm Stereo Headphone Jack
DIGBETH styling
FX Loop
FX send doubles as line out
Balanced Male XLR D.I. Output (Pre EQ)
Removable front baffle
Internal universal 100-200V~ 50/60Hz, Switched mode power supply. IEC C14 inlet connector
B115 is a versatile, portable full range active speaker suitable for applications in medium to large venues. The bass-reflex cabinet is equipped with a 15 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module
BASIC 73 KEYS. INC. E.PIANO & SOUNDCOLLECTION
Legend ’70s MKII
Modular Stage Piano
2nd chapter for a unique instruments. Now it is doubled in everything:
Double core DSP
Wooden premium construction
Reduced noises
New Eprom (more programs)
Tp110 on the Compact and Updated wooden piano keyboard on the Artist-W.
New aluminium knobs
Many future developments
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
"Some guitarists think of the USA as the only source of quality electric guitars, and for the most part they are correct. However, there are many of us who remember the superb range of guitars designed and made by BURNS GUITARS, a British company.
Ser.No: 06
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
VISCOUNT HURRICANE 210 STEREO POWERED LOUDSPEAKER BY KEYB, PROVIDES YOU THE PERFECT PORTABLE AMPLIFICATION SOLUTION FOR LEGEND ORGANS
EXPRESSLY DESIGNED IN COOPERATION WITH PROFESSIONAL PLAYERS
SELF-POWERED SPEAKER FEATURES WITH FOUR CLASS D AMPLIFIERS
THE SPECIAL SPEAKERS PLACEMENT ENHANCES THE ORGAN'S INTERNAL ROTARY EMULATION
OUTSTANDING SOUND QUALITY HIGH SOUND PRESSURE LEVEL AND LINEAR FREQUENCY RESPONSE
ON-BOARD USEFULL EQUALIZER
STATE-OF-THE ART ELECTROACOUSTIC COMPONENTS
COMPACT AND LIGHTWEIGHT DESIGN
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier