Transporttaske og vogn
Til Viscount Legend Live og Legend Soul 261 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 101 x 59 x 20 cm
Udvendige mål (B x H x D): 114 x 65 x 26 cm
Vægt: 10,3 kg
SPIN-TONE 400
Spin-Tone 400 is our 3-way amplifier equipped with 2 speakers with woofer and tweeter for rotary or stationary effect and a rotating driver, specifically designed to reproduce the original rotary horn amplifiers. The Spin-Tone 400 (400W), with its 23,5 kg, is the most portable solution for gigs and the perfect amp to connect to your Legend Soul, or any other instrument of our line and not, bringing that vintage touch that will make the difference.
Se Info
BASIC 73 KEYS. INC. E.PIANO & SOUNDCOLLECTION
Legend ’70s MKII
Modular Stage Piano
2nd chapter for a unique instruments. Now it is doubled in everything:
Double core DSP
Wooden premium construction
Reduced noises
New Eprom (more programs)
Tp110 on the Compact and Updated wooden piano keyboard on the Artist-W.
New aluminium knobs
Many future developments
SoloStrap Neo
Perfecting the art of comfort. Twice.
The new SoloStrap Neo was designed with one thing in mind: To be the most comfortable padded single guitar strap you'll ever own! Comes in two widths: The 4.0 model (4" wide) helps ease the weight of heavier instruments such as basses and solid-body guitars, while the 2.5 model (2.5" wide) offers ample cushion for lighter instruments. Both models feature thick anti-fatigue, double-layered neoprene coupled with durable faux leather, with limited stretch to avoid that bothersome "bungee" bouncy effect.
Our easy rivet-based length adjustment system offers the widest length range, from 38" to 50", and all the way to 62" with the optional extra long tail.
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
KALA FLATWOUND 4-STRING SET BY GALLISTRINGS
Chrome steel wrapped around a nylon core, the U•BASS® Flatwound 4-String Set by Gallistrings enables fast and stable intonation, bringing a warmth and consistency to your U•BASS® like never before.
These high-tension U•BASS® strings offer a timbre and maneuverability akin to the double bass. Smooth to the touch, the chrome flatwound tape allows your fingers to glide around the fretboard and helps protect the neck from wear and tear—perfect for any acoustic fretted or fretless U•BASS®. Scale length cm 52 - in. 20,5"
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB911C G-1st Chrome Steel on Nylon core .060 1.52 - -
UXB912C D-2nd Chrome Steel on Nylon core .080 2.03 - -
UXB913C A-3rd Chrome Steel on Nylon core .100 2.54 - -
UXB914C E-4th Chrome Steel on Nylon core .130 3.30 - -
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
GM9882H – Double headset UHF wireless microphone
Double headset UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
Med kompressor, EQ, delay, ekko, rumklang og mere
Signalprocessor til lo-fi, forvrængning, radio, ringmodulering og andre ekstraordinære effekter
Pitch korrektion
Vokalharmoni og stemmefordobler
Farve LCD og 3 knapper muliggør intuitiv betjening
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.