‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
VISCOUNT HURRICANE 210 STEREO POWERED LOUDSPEAKER BY KEYB, PROVIDES YOU THE PERFECT PORTABLE AMPLIFICATION SOLUTION FOR LEGEND ORGANS
EXPRESSLY DESIGNED IN COOPERATION WITH PROFESSIONAL PLAYERS
SELF-POWERED SPEAKER FEATURES WITH FOUR CLASS D AMPLIFIERS
THE SPECIAL SPEAKERS PLACEMENT ENHANCES THE ORGAN'S INTERNAL ROTARY EMULATION
OUTSTANDING SOUND QUALITY HIGH SOUND PRESSURE LEVEL AND LINEAR FREQUENCY RESPONSE
ON-BOARD USEFULL EQUALIZER
STATE-OF-THE ART ELECTROACOUSTIC COMPONENTS
COMPACT AND LIGHTWEIGHT DESIGN
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
Electric Bass
Body: Alder
Maple neck
Pau Ferro fretboard
Matte neck finish
20 Frets
Nut width: 41.3 mm
Scale: 864 mm
Pickups: New Player AlNiCo V Precision Split single coil
Volume knob and tone knob
Standard open gear machine heads
Ex-factory stringing: Fender 7250M .045 - .105
Colour: 3-Tone sunburst
Double internal memory (2GB)
2 Completely redesigned acoustic piano sample sets
Updated all existing piano models
Expanded tonal possibilities with the dual DSP of the Legend ’70s MKII
Backward compatibility with MKI Legend ’70s
The new acoustic piano module is here. Completely updated with twice memory and processing power to maximize the realistic feel when you play.
Available for Legend ’70s MKII, but also backward compatible with MKI.
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
MAGNOLIA-PROFESSIONAL
Top:Cedar
Neck:Cedar reinforce
Back & Sides:Indian Rosewood Solid
Fingerboard:Ebony
Bridge: Indian Rosewood
Frets: 21
Finish: French Laque
Inc exelent Case
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
The Pickport Studio is a specialized pick holder for all acoustic, electric and bass guitars. The Pickport Studio has been designed to mount to strap buttons, volume knobs, tone knobs, machine heads, pick guards and even Stratocaster jack plates. The Pickport is sturdy, flexible, decorative and can easily mount on your ax for as long as you wish.
Burns 50-årsdagen alle Gold Dream-modeller er en speciel model, der er produceret for at fejre 50 års Burns London (1960 til 2010).
Kun 50 stk. Worldwide vil blive lavet af denne 50-årige model som en strengt begrænset udgave. Den har et håndtegnet og nummereret ægthedscertifikat og har de nye Rez-o-Matik® Noiseless ENR-pickups.
Krop og matchende hals i guld metallisk
Ebony Fingerboard med skildpadde kant bindende
22 frets
Gold Hardware med 50 års jubilæum gravering
Låse maskine hoveder
Guld effekt pick-guards
Rez-o-Matik lydløse ENR pickups
Skub pull pickup controls
5-vejs vælgerkontakt
Master volumen
3 x tonekontrol
Låsemøtrikker
Monteret sag
Ægthedscertifikat
Ser.No: 21
Cyclemic
Cyclemic Behind the head sweat resistant fitness microphone.
Cyclemic is the superior headworn-microphone designed specifically for the fitness industry’s indoor cycling programs. Cyclemic’s sleek orange boom arm with ‘J’ curve design is easy to spot on the most well known cycling presenters and instructors worldwide. It’s unique miniature mic capsule is designed to be worn beside the mouth, not in front. Breath noises are not over-amplified; no foam ball windscreen is needed. Cyclemic’s excellent sound quality ensures clear voice projection, taking the stress and strain off instructors voices when teaching high-sweat cycling classes.
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.See more Info
1-EFFEKT PEDALER
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