NEW Harmonic engine - detailed additive synthesis with up to 512 partials, dual formant filters that can be morphed from A to B, odd and even harmonic customization, and various colorful ways to modulate partials
NEW 3rd Utility engine - add a sub oscillator and up to 2 noise sample layers for extra depth and sonic color
NEW 64 new wavetables, bringing the total to 164 NEW Ramp waveform for Virtual Analog engine
NEW Jup-8 V4 Low-pass filter - the revered filter from our meticulous emulation of a polysynth icon
NEW Enhanced filter routing - route either filter to either FX Bus for detailed sound NEW Pitch Delay - a clean, modern algorithm for creating exciting pitch-shifting ambience
NEW Multi-Band Compressor - a much-requested tool for creating a tight mix-ready sound
NEW BL-20 Flanger - a faithful reimagining of an elusive analog studio effect.
NEW Chorus JUN-6 - one-touch analog sparkle and stereo fatness, taken from our faithful Juno-6 emulation
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digital workstation, 61 touch sensitive keys, 2 x 25 watt + 2 x 15 watt
AKX10 is a stunning performance keyboard that brings countless possibilities to music making. It features 768MB user expansion memory for your choices of voices and rhythms. Creative Expression voices, created from multiple layers of articulation samples mapping to different velocity layers, together with a range of DSP effects deliver authentic nuances of instruments and amazing sonic quality. Its breathtaking design and intuitive user experience are outstanding in its class. It has breathing light that
Electric Bass
Body: Alder
Maple neck
Pau Ferro fretboard
Matte neck finish
20 Frets
Nut width: 41.3 mm
Scale: 864 mm
Pickups: New Player AlNiCo V Precision Split single coil
Volume knob and tone knob
Standard open gear machine heads
Ex-factory stringing: Fender 7250M .045 - .105
Colour: 3-Tone sunburst
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
Entertainer Keyboard
61 Semi-weighted, velocity-sensitive keys with aftertouch
464 Voices with 3 different sounds each
62 Drum kits and 580 live drums
Dual/Layer
Split
Over 400 styles
4 Nanks with unlimited registrations each
216-Voice polyphonic
7" Touch screen display
15 Sliders with LED indicator
8 Pots
Pitch bend and modulation wheel
Audio and MIDI recording
Audio player with 5+1 multitracks
2 Separate players
Effects: DSP (reverb, chorus, flanger, overdrive, distortion, tremolo, autopan, equaliser, etc.)
3-Voice vocalist for mic input 1
240 GB SSD (80 GB for system)
SD card slot (up to 512 GB)
1 GB user sample memory
Bluetooth audio input
WiFi network connection to Ketron app
Dimensions (W x D x H): 925 x 365 x 125 mm
Contemporanea 50 x 60 cm Surdo, Aluminum Shell, Pro Line -Top Quality Instruments for Professionals, Plastic Head, Drum having a low pitch Sound wich may be compared to the Bass Drum or the Tom Tom of a Drum Kit wich is played with a Beater, included Tuning Key.
88 keys
Legend '70s : ARTIST BASIC VERSION : ( SOUND MODULES: E.PIANO,SOUND COLLECTION )
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
B.BEAT ALSO PLAYS BACKING TRACKS IN VIDEO SYNCH, HAS A BUILT-IN MIXER, AND MANAGES PLAYLISTS AND SHOWS.
B.BEAT reads and plays Music files in WAV, Multitrack Audio, Stems, Midi, Video Mp4, Mov and JPG formats.You can use Backing Tracks starting from Mp3 files to proper Multitrack Audio projects from Daw, up to 16 Mono or 8 Stereo tracks.
B.BEAT can store a high number of Backing Tracks. Backing Tracks can be synchronized to a Video (or Images) which will be played to Video Wall from HDMI output.
It has a mixer to adjust the various audio tracks, the 6 separate outputs, and the channels that go to headphones, e.g., Click.
AQ1 series
Studio version
100% Birch wood shells
Chrome plated shell hardware
New SmartMount tom holder system for balanced, optimal sustain with smaller hardware footprint
Colour: Piano White (PB)
Shell set consisting of: 20" x 16" bass drum (with bass drum rosette)
10" x 07" tom tom
12" x 08" tom tom
14" x 13" stand tom
14" x 06" snare drum
Includes double tom holder
Sonor HS2000 Hardware set consisting of:
HH 2000 hi-hat stand - SS 2000 snare drum stand - 2x MBS 2000 V2 mini boom stand -SP 2000 bass drum single pedal
Note: Cymbal and stool not included
TYPE 5 String G Banjo
TUNING G, D, G, B, D
BRACKETS 18
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
TYPE 6 Sting Banjo
TUNING E, A, D, G, B, E
BRACKETS 24
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
Full Specification
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
The world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues (“Nights in White Satin”) and the Beatles (“Strawberry Fields Forever”) in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements.
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
A 61-key portable organ for classical music. Thanks to Split Point and Auto Bass functions it's possible to play on two virtual manuals and pedalboard for real pipe organ performances. Three organ styles in a really portable cabinet at a very attractive price! Thanks to the easy-to-use interface and the wide variety of sounds, including ancient stops, Cantorum V meets the needs of many organists, schools or places of worship. All samples are stereo: virtual pipes are positioned in the space in order to emulate a real windchest. Wherever a pipe organ is not available, organists will find Cantorum V an extremely useful and versatile instrument for great performances.
B115 is a versatile, portable full range active speaker suitable for applications in medium to large venues. The bass-reflex cabinet is equipped with a 15 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module
System Type 2-way bass reflex speaker
Max SPL (@1m) 131 dB
Frequency Response (-10 dB) 51 Hz - 20 kHz
HF 1.75" driver
LF 12” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1500 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 359 x 610 x 350 mm (14.2" x 24" x 13.8")
Weight 21 Kg (46.3 lbs)
1-EFFEKT PEDALER
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