The Mellotron Micro is the smallest version available of the M4000D Digital Mellotron, and includes many of the features of the full-size version. It includes one hundred 24-bit uncompressed sounds sourced from original first-generation Mellotron and Chamberlin tape libraries. Sound Card 01 is the built-in library for the M4000D series of instruments.
SMF600 MEDIUM
Galli® Strings - With their warm and extremely dynamic sound, impeccable intonation and great elasticity to the touch, the SUPREMA MANDOLIN STRINGS by Gallistrings allow the mandolinist to play with excellent musical phrasing, wide expressiveness and skillful agility.
Thanks to their softness, they are particularly suitable for the mandolins of the great lutherie of the past.
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
SMF6001 MI / E Plain Steel - Loop End .010 0,25 17,5 7,9
SMF6002 LA /A Flat Wound .015 0,38 16,4 7,4
SMF6003 RE / D Flat Wound .022 0,54 15,0 6,8
SMF6004 SOL / G Flat Wound .033 0,84 15,4 7,
40 years standing by your side
Welcome to the Bespeco world!
Established in 1981, we are an Italian Company designing, engineering, manufacturing and commercializing accessories for musical instruments.
Through constant cooperation with musicians, sound technicians and engineers we are able to build functional, sturdy and durable products, each with its own distinctive design. High quality accessories that will always come with you.
Wherever you find music, you always find an accessory: be it a cable, a guitar stand, a microphone stand, a case to protect your instrument and many more. ........
See more I (info )
We wish you a good watching!
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
Legend
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
Transporttaske og vogn
Til Viscount Legend og Legend Soul 273 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 117,5 x 59 x 20 cm
Udvendige mål (B x H x D): 130,5 x 65 x 26 cm
Vægt: 10,7 kg
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
Tribute L-2000
Leos L serie basser, startede som en videreførelse af hans Music Man designs, og med to Humbucker pickups tilbød G&L noget på det tidspunkt, som ikke fandtes hos MM. L serien har siden starten fået sit eget liv, og både L-2000, og L-2500 (5 str) er blevet manges favorit bas, og i høj grad en bestseller i Tribute serien.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
T-REX REPLICA - DELAY
THE ORIGINAL COLLECTION
T-Rex Effects is proud to announce that the legendary Replica Delay is back with an even larger and more powerful “engine”, but still delivers the same iconic sound and simplicity.
The Replica is built with high-quality European components and Danish craftsmanship; we are happy to say that we have achieved a new level.
You will discover two different modes, ¨Vintage mode¨, where the repeats are passed through a compressor/expander circuit, which makes the sound smooth and dynamic.
This circuit was used in the first generation of the Replica.
Enredo Comienzo serien fra Tanglewood, er fine klassiske guitarer i en yderst fornuftig prisklasse.
Grandæk, samt Ryg og Sider i Lindetræ i mat Satin finish.
Guitarerne har Techwood gribebræt, og gode mekanikker. Et virkeligt godt valg til skoler, begyndere, osv. som vil starte i en god kvalitet
Guitarerne findes i ¾ størrelse
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass. 5 strings
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
BURNS SHADOWS BASS
Burns® London erhvervede den oprindelige Shadows bass i 2005, hvilket inspirerede os til at genudgivelse denne fantastisk bas guitar, men i en begrænset antal.
Denne bas har serie nr. 005
SoloStrap Neo
Perfecting the art of comfort. Twice.
The new SoloStrap Neo was designed with one thing in mind: To be the most comfortable padded single guitar strap you'll ever own! Comes in two widths: The 4.0 model (4" wide) helps ease the weight of heavier instruments such as basses and solid-body guitars, while the 2.5 model (2.5" wide) offers ample cushion for lighter instruments. Both models feature thick anti-fatigue, double-layered neoprene coupled with durable faux leather, with limited stretch to avoid that bothersome "bungee" bouncy effect.
Our easy rivet-based length adjustment system offers the widest length range, from 38" to 50", and all the way to 62" with the optional extra long tail.
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
Vi besluttede at tage den lange rejse gennem ukendte territorier af lyd,
og det piano der ikke var der .. er der nu.
1-EFFEKT PEDALER
-t.jpg)
-t.jpg)
-t.jpg)
-t.jpg)
