SMF500 LIGHT
Galli® Strings - With their warm and extremely dynamic sound, impeccable intonation and great elasticity to the touch, the SUPREMA MANDOLIN STRINGS by Gallistrings allow the mandolinist to play with excellent musical phrasing, wide expressiveness and skillful agility.
Thanks to their softness, they are particularly suitable for the mandolins of the great lutherie of the past.
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
SMF5001 MI / E Plain Steel - Loop End .0095 0,24 14,2 7,1
SMF5002 LA / A Flat Wound .0135 0,35 15,1 6,9
SMF5003 RE / D Flat Wound .021 0,52 14,5 6,6
SMF5004 SOL / G Flat Wound .031 0,78 13,4 6,1
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
MOVE8
Battery-powered multifunctional speaker
BESKRIVELSE SPECIFIKATION
A battery powered all-rounder!
2 Mic/Line inputs with EQ and Reverb, Guitarcab-simulation + Bluetooth 5.0
Move 8 features the well known and clear full-range tone from the Premium Pr:O series. A highly efficient 8″ bass/midrange speaker offers powerful and impressive performance even at high volumes, with long battery life at the same time. 1” tweeter delivers balanced tone up to 20khz. Built as an light weight, wooden multifunctional housing that can be placed mounted to traditional speaker stand as well as horizontal as floor monitor.
Concerto Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
This guitar has been the choice of pro musicians of all genres. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard and the gloss black finish looks great under the stage lights. The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint.
Includes Takamine’s CT4B II preamp system paired with the unique Palathetic™ under-saddle pickup for peerless amplified response. The highly acclaimed CT4B II preamp system with three-band EQ, volume control and built-in tuner.
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
1200 W PEAK POWER
600 W RMS POWER
NEWLY DESIGNED ASYMMETRICAL HORN
ADVANCED DSP WITH FIR FILTERS
2 INPUT CHANNELS (MIC-LINE/MIC-INSTR)
SELECTABLE OUTPUT CHANNEL (LINK CH1/MIX CH 1+2)
8 EQ PRESETS
FRESH FULL GRILLE DESIGN
STAGE MONITOR USE
Technical Data
Speaker Type: 2-Way Active Speaker
Acoustical data
Frequency Response [-10dB]: 58 – 20.000 Hz
Frequency Response [- 3dB]: 70 – 19.600 Hz
Max SPL: 128 dB
HF: 1″ Exit, 1.4 v.c.
Type HF: Compression driver
Horizontal Directivity: 100° (85° up/120° down)
Vertical Directivity: 85° (+ 25°/-60°)
Horn: Asymmetrical Horn
LF: 10″, 2″ v.c.
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
VORTEX 315
Vortex 315, designed by Silvio della Mattia and Viscount, is the ultimate rotary speaker built specifically for organs using high quality materials and components. The most reliable sound in a lightweight rotary speaker.
Type 2 amplified channels (woofer with rotating drum + driver with rotating horn)
Power (W) 300W Upper 80W and Lower 220W
Crossover Frequency 800Hz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Engine Controls The led is: off when the motors are brake; yellow when the motors are slow; red when the motors are fast.
You can brake (independently from the horn) the rotor bass by it’s switch. .......
SEE INFO
Price € 2890,00
BAG0AG – Soft bag for acoustic guitar
Soft bag for acoustic guitar. Made of rip-proof “Oxford cloth 600D” with cloth outer border. Velcro reinforced easy-to-open handle. Adjustable double strap. Large frontal pocket. Strong zippers stitched with anti-rip nylon. Black color.
Active Near Field Monitor
Equipment: 8" Woofer and 1" tweeter
2-Way Class-D amplifier
Power: 112 W - 56 W woofer and 56 W treble
Frequency range: 45 - 20,000 Hz (+/- 3 dB)
Max. SPL: 112 dB (peak)
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Connections: Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (H x W x D): 419 x 254 x 308 mm
Weight: 8.1 kg
Price per set
VORTEX 315
Vortex 315, designed by Silvio della Mattia and Viscount, is the ultimate rotary speaker built specifically for organs using high quality materials and components. The most reliable sound in a lightweight rotary speaker.
Type 2 amplified channels (woofer with rotating drum + driver with rotating horn)
Power (W) 300W Upper 80W and Lower 220W
Crossover Frequency 800Hz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Engine Controls The led is: off when the motors are brake; yellow when the motors are slow; red when the motors are fast.
You can brake (independently from the horn) the rotor bass by it’s switch. .......
SEE INFO
Price € 3190,00
Merish Bag
Handy semi-rigid carrier case in black polyester fabric with handle and very useful adjustable shoulder strap. Complete with removable PVC partition and roomy external pocket with its own zip fastener. Absolute convenience and great protection during transport thanks to stiffener lining 1 cm thick. Ideal for all M-Live products
The new Cantorum Duo is a 2 manual portable organ by Viscount. The last addition of the world acclaimed Cantorum line, offers 30 voices, convenient stoptab arrangement and built in amplification, providing everything at your fingertips to experience the latest sampled sound technology available in a digital organ.The superb sound and the contemporary aesthetic make this genuine Viscount organ a remarkable yet affordable instrument. Whether you are a quality-conscious church or an organist on a limited budget, the Cantorum Duo is now available in any situation. The compact but sturdy cabinet is easy to move and allows you to use the instrument in a fully multifunctional way.
The Tripp is the most versatile pick that Gravity sells. Using the tri-tip model platform, we’ve put a different tip on each end from three of our popular picks. The Tripp has one tip that’s sharp like the Sunrise, giving you the ability to pick or shred, a second tip that’s rounded like the Axis, made for some smooth strumming, and a third tip that is semi-pointed/semi-rounded like the Striker, giving you the versatility to alternate from picking to strumming to any style you play. With this pick you have everything. Not only do you get the ability and option to play different styles, this pick gives you different tones and sounds — from bright, higher frequencies to mid-range tones. You can call it a bargain pick or a great practice tool, but one thing is for sure, the Tripp sounds as good as it looks.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
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Gold-plated 1" capsule stored in miniature lyre from Rycote
Black metal housing with scratch-resistant ceramic coating
Extremely low intrinsic noise (4.5 dBA)
Polar pattern: Cardioid
Frequency range: 20 - 20000 Hz
Output impedance: 100 ohms
Sensitivity: 35.0 mV / Pa
Equivalent noise level: 4.5 dBA (according to IEC651), Max
Output level: +8.0 dBu (1 kHz, 1% THD, 1 kOhm load)
Dynamic range: 128 dB
Max. sound pressure level: 132 dB
Signal-to-noise ratio: 90 dBA (according to IEC651)
Requires 24 V / 48 V phantom power
Connection: 3-pin XLR
Dimensions (diameter x length): 50 x 190 mm
Weight: 395 g
Includes deluxe shockmount SM6 with integrated pop protection, XLR microphone cable (6 m) and dust protection bag
Made in Australia
4 ORGANS IN ONE
A portable, 61-key CLASSIC organ with programmable two manual and pedal mode for authentic organ performance, all at a budget price! The interface is extremely simple to use.
All sounds samples are in stereo, and the deeper and higher pitches are localized in the sonic spectrum to simulate a real pipe configuration. The sound quality is excellent thanks to the special dual-material cabinet (synthetic and real wood). There is a ‘split’ function and four organ styles (Baroque, Symphonic and Romantic) with independent voice volume regulation. The keyboard is made with an exclusive design which simulates the "tracker touch" of a real pipe organ.
XVIVE pedals are meticulously designed by our USA Team to bring guitar and bass players professional quality pedals with an original tone at a competitive price. The XVIVE range of pedals continues to grow as we endeavour to bring you more and more exciting yet practical products. We also make our own pedal boards, power supplies, cables and patch leads to cater for all your gigging requirements.
Discover the XVIVE difference!
The USA Design Team
The XVIVE Audio USA Design Team is made up of musicians and engineers who have decades of professional experience.
Howard Davis works as our Chief Designer. He is well known for his many pedal designs for Electro Harmonix (1976 to 1981) and later did design work for Pigtronix (including the Mother Ship analog guitar Synthesizer). He has done independent design work for several artists and we are very happy to have him aboard.
Darius Mostowfi has been a DSP and analog expert.......
Den nye Viscount Legend Live Orgel af KeyB, giver dig den nemmeste transportabel løsning.
To Waterfall Keyboards med high trigger points, for ultra hurtig respons. Legend Live anvender det nyeste modeleringteknologi i tonehjul.
Nem at afspille
Ny designet ”leslie” og forstærker simulator.
To fulde sæt af Drawbars pr. keyboard.
Forbedret Percussion og key click. (Soft/normal volume).
Effekter: Vibrato/Chorus og Reverb
Hurtig live justering, nemme at betjene.
Ekstern 11 pins Leslie® udgang.
FX send/return
Der er en USB udgang til nodelampe, iPad opladning m.m.
Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
V Collection X følger med ved køb af AstroLab 61 eller 88!
Mellem 18. november 2025 og 5. januar 2026 er V Collection X inkluderet for alle AstroLab 61 eller 88, der er registreret på Arturias hjemmeside* (værdi ca. €599).
V Collection X er en palet af 39 softwareinstrumenter – skræddersyet til at passe til de forskellige musikalske stilarter og produktionsflow hos alle kunstnere og musikere.
V Collection X giver AstroLab-brugere mulighed for at dykke dybt ned i lyddesign og skabe deres egne tilpassede lyde – alt sammen fuldt spilbare på AstroLab.
Med sin kraftfulde software er AstroLab den perfekte løsning for musikere, der ønsker at medbringe Arturias softwarelyd til scenen.
*Software er tilgængelig i kampagneperioden efter registrering af AstroLab 61 eller 88 på arturia.com
It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
More than just a PAR Wash, the PARWASH76-RING is an invitation to creativity. With just 21 cm diameter, 10 cm thickness and a tiny kilogram on the balance, the PARWASH 76 RING iS easy to install, even in small spaces, thanks to its silent passive cooling. Ideal for any private event or indoor performance, it features 7 X 6W RGBW LEDs offering nuanced, vibrant colors, combined with an RGB LED ring creating rotating animations or fixed colors to generate a halo around the main beam. Versatile, it features an automatic mode, a music detection mode and a DMX mode allowing control by DMX remote control, in addition to the infrared remote control supplied. The PARWASH 76 RING is easy to install, thanks to its dual bracket for easy floor installation, and its passive cooling, which generates neither unwanted noise nor excessive heat during indoor performances or events.
SPIN-TONE 400
Spin-Tone 400 is our 3-way amplifier equipped with 2 speakers with woofer and tweeter for rotary or stationary effect and a rotating driver, specifically designed to reproduce the original rotary horn amplifiers. The Spin-Tone 400 (400W), with its 23,5 kg, is the most portable solution for gigs and the perfect amp to connect to your Legend Soul, or any other instrument of our line and not, bringing that vintage touch that will make the difference.
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Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys