Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.See more Info
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
SoloStrap
Three styles. Two-tone. One amazing strap.
Drawn from the proven comfort, quality and unique construction of the DuoStrap Signature, the SoloStrap was designed for the most discerning guitarists and bassists. Using only the finest of leather hides from Europe, Canada, and South America, the SoloStrap is meticulously hand-crafted to create a blend of form and function that begs to be worn and shown off. The resilient contour padding wrapped with a beautiful vegetable-tanned leather top and an anti-slip suede bottom creates a lasting personal fit, with soft-rolled padded sides where it matters, and topped handsomely with our distinct stamped cover and antique-finished branded metal rivets.
Three gorgeous two-tone color combinations to choose from, with lengths adjustable from 38" to 50" and an extra-long option that brings the total usable length to 62". Padded area is 3.25" wide for excellent weight distribution and superior comfort.
Legend
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
TYPE 5 String G Banjo
TUNING G, D, G, B, D
BRACKETS 18
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
B110 is a versatile, portable, powerful active speaker suitable for small to medium venue applications. The bass-reflex cabinet is equipped with a 10 woofer and a 1.35 compression driver boosted by a 400 W amp module.
GM9882HP – Double handheld + headset UHF wireless microphone
Double handheld + headset UHF wireless microphone system with convenient ABS case for carriage 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
Tanglewood TUB4 4 String Banjo, 18 Brackets, Remo Renaissance Head, Genuine All Mahogany with Tone Ring
UNION serien vokser støt og roligt, med nye spændende modeller. Og denne 4 strengede banjo, er et godt bud på en yderst prisrigtig banjo, i den kendte TW kvalitet. TUB4 har en krop i Mahogni og 18 stemmeskruer, samt gode Die Cast mekanikker, som tilsammen sikrer en god tone, og stabil stemning, i en fin prisklasse.
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
Vi besluttede at tage den lange rejse gennem ukendte territorier af lyd,
og det piano der ikke var der .. er der nu.
1200 W PEAK POWER
600 W RMS POWER
NEWLY DESIGNED ASYMMETRICAL HORN
ADVANCED DSP WITH FIR FILTERS
2 INPUT CHANNELS (MIC-LINE/MIC-INSTR)
SELECTABLE OUTPUT CHANNEL (LINK CH1/MIX CH 1+2)
8 EQ PRESETS
FRESH FULL GRILLE DESIGN
STAGE MONITOR USE
Technical Data
Speaker Type: 2-Way Active Speaker
Acoustical data
Frequency Response [-10dB]: 58 – 20.000 Hz
Frequency Response [- 3dB]: 70 – 19.600 Hz
Max SPL: 128 dB
HF: 1″ Exit, 1.4 v.c.
Type HF: Compression driver
Horizontal Directivity: 100° (85° up/120° down)
Vertical Directivity: 85° (+ 25°/-60°)
Horn: Asymmetrical Horn
LF: 10″, 2″ v.c.
System Type 2-way bass reflex speaker
Max SPL (@1m) 127 dB
Frequency Response (-10 dB) 61 Hz - 20 kHz
HF 1.35" driver
LF 10” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1780 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 304 x 505 x 305 mm (11.9" x 19.9" x 12")
Weight 12.7 kg (28 lbs)
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
The Tripp is the most versatile pick that Gravity sells. Using the tri-tip model platform, we’ve put a different tip on each end from three of our popular picks. The Tripp has one tip that’s sharp like the Sunrise, giving you the ability to pick or shred, a second tip that’s rounded like the Axis, made for some smooth strumming, and a third tip that is semi-pointed/semi-rounded like the Striker, giving you the versatility to alternate from picking to strumming to any style you play. With this pick you have everything. Not only do you get the ability and option to play different styles, this pick gives you different tones and sounds — from bright, higher frequencies to mid-range tones. You can call it a bargain pick or a great practice tool, but one thing is for sure, the Tripp sounds as good as it looks.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
See more INFO
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
IBIZA - PROFESSIONAL
Top: Solid Spruce
Neck:Cedar reinforce
Back & Sides: Solid Jacaranda
Fingerboard:Ebony
Bridge: Indian Rosewood
Frets: 21
Finish: French Laque
Inc exelent.Case
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Tanglewood TU3TLCESB Thinline Folk Hybird Cutaway, Spruce Top Mahogany Back and Sides with Tanglewood TEQ QX EQ System Vintage Sunburst Satin
TU3, er en Thinline akustisk/elektrisk guitar. Den føles som en elektrisk guitar, men lyder helt rigtig til dig, som gerne vil spille akustisk, uden feedbackproblemer. Udført i lækker Satin finish, med pickup system under sadlen, som kontrolleres via Belcat EQ systemet. Et helt simpelt Volume/Bass/Treble layout, hvor du kan ”gemme” kontrollerne, når du har indstillet din lyd. Gode krom mekanikker, m/matsorte knapper, samt selvfølgelig batterilåge på bagsiden. En smuk og kompakt guitar !